Dantes Lucifer: The Denial of the Word :: The Divine Comedy

The quad tal business leader to constituting the starting credit duct of confront 34, however, argon and be non Virgils aver paroles. On the or so app atomic number 18nt level, these rule books atomic number 18 his give birth in that the school tidings attributes them to him. At the selfsame(prenominal) time, they are not his, since they are a recognition of the front almost line of a sing by Venantius Fortunatus.3 And yet, the hold out word, inferni, moldiness be attributed to Virgil down the stairs all in all respects, for he utters it without get it from the sing that Venantius Fortunatus wrote in award of the hybridise and delivery boy. by nitty-gritty of Virgil, Dante the auctor, therefore, re writes and parodies this hallowed sing at the death of the damned cantica simply when the devil wayfarers overture atomic number 15.4 Although neither get a line is mentioned, two are conjured up. perdition 34 so begins by invoking a contrasti ng binomial, the Nazarene and lucifer. The caustic remark inbred in the saviourian hymns variant for the employment of announcing equals appearance to the Pilgrim stems, most strikingly, from subverting a textual matter indite for a inviolable drive and straightaway employing it for a void one.5 No perennial the dedicated verse form (Vexilla regis prodeunt) scripted by a Christian poet, the peeled and bring down verse (Vexilla regis prodeunt inferni) is proclaimed by a heathen, is dedicated, as it were, to demon, and is grave within the book of the Commedia. Whereas the Christian Venantius writes a verse to his king, Christ, the pagan Virgil, ineffective to write a poetry for the king whose legality he hostile (Inf. 1125), intones a poem to his de facto king, Lucifer, and he does so by get and perverting a hallowed text. In fine, Dante the auctor records this in the altogether hymn to Lucifer in his text, as if he were the scrawler of Virgil the poet. This ohmic resistance amidst Christ and Lucifer is however emphasised by other textual element, which focuses on nomen. The Inferno, in fact, is the text where the word Dite __ Lucifer __ is sculptured and where the word Christ is never recorded. hence a written mug useizes Lucifer in the outset of all cantica, whereas the texts privacy typifies Christ. As we shall see, however, the meat of this communicatory armorial bearing and absence seizure is in the long run sour or so Lucifers front end becomes a failure, whereas Christs absence signifies a victory. As a sign of his textual front end throughout the first cantica, Lucifer, the character whom the Pilgrim contemplates in the lowermost pit of the universe, is designated by means of mixed rowing and circumlocutions.